News dal mondo della musica [concerti, sagre, scioglimenti, reunion, Turilli che va a fare la spesa]
Ah si si non mi ero segnato il nome! Certo. L’ho anche riempito di commenti nei giorni scorsi JUSTIN STAHP RELEASE IT FFS
Però dalle sonorità mi sembra molto andato indietro uff
Più che altro Morrissey fa talmente schifo che Johnny Marr rifiuta il PIL della Liberia ogni anno 
mi aspetto comunque la roba glitchosa nell’album
Niente glitch
Te l’ho detto che partiva operazione nostalgia
The three songs that comprise Bon Iver’s new record SABLE, emerged from a long-gestating breakdown. Think about the journey Justin Vernon has been on across the past two decades: For Emma Forever Ago, high profile collaborations on records by artists like Kanye West and Taylor Swift, throwing music festivals in his city, and the increasingly layered and elaborate touring and recording machine that Bon Iver became. An electricity began to swell in Vernon’s chest. Being Bon Iver meant playing a part, and intentionally leaning into that role meant frequently pressing hard on a metaphorical bruise. He developed literal physical symptoms from deep anxiety and constant pressure. At the end of his rope, maybe done with music, and thinking increasingly about the process of healing, he finally found the time to unpack years of built-up darkness just as the lockdown began.
These songs are reflections of unfinished business, of guilt and anguish. “I’m a sable/ and honey, us the fable,” he sings in the record’s closing track. Some of Vernon’s best songs are the saddest ones, and there’s a kind of unintentional toxic reinforcement that comes when everyone praises your most depressed instincts. SABLE, is named for near-blackness, the record an externalized projection of his turmoil. This trio of songs represents an unburdening from one of the most trying eras in Vernon’s life. There was a time not long ago where Vernon intentionally hid his face. Here, the blinds are open.
Ma quello degli One Direction che frolla giù dal balcone e ci rimane secco?
Ho apprezzato molto il fatto che a 20 minuti dalla morte su reddit ci fossero già le foto del corpo per identificarlo coi tatuaggi, diffuse dal solito TMZ. Molto edificante come lettura prima di andare a dormire.
CAZZO DICI
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Porca troia ora metto su Killers a volume da lite condominiale
È cosa buona e giusta.
È tutt’ora un gran disco, e poi c’è Murders in the Rue Morgue che è 
@Paranoid30 ma sei un po triste per phil lesh?
Orpo, mi sono completamente perso questa taggata è morto il giorno prima della mia partenza per l’India, quindi ho ascoltato solo Grateful Dead per tutto il viaggio.
Non pensavo mi sarebbe più successo, ma aver scoperto la sua musica mi ha cambiato il modo di suonare nonostante avessi già 35 anni.
È stato come quando da ragazzino scoprivo i vari Sting, Flea, Les Claypool: una volta metabolizzati mi portavo dietro qualcosa nel modo di suonare che prima non avevo. In età adulta mi è successo solo con James Jamerson e in modo molto più evidente con Phil Lesh.
Non credo sia paragonabile a nessun altro bassista, d’altronde è uno che ha iniziato a suonare nel 1965 e quando Garcia gli ha detto “Devi suonare il basso” la sua idea è stata “Di altro bassista elettrico esiste solo Paul McCartney, quindi l’unica cosa sicura è che non devo suonare come lui”
Aveva studiato con Luciano Berio, aveva insistito per portare sul palco nel 1974 l’amico Ned Lagin con un MacIntosh a fare noise, veniva dallo spazio, suonava dallo spazio e ora ci è tornato
Comunque ero venuto qua a taggare @Attela perché i Motorpsycho hanno fatto una cosa bellissima 
Motorpsycho Live Music Archive
Psychonauts!
As a part of the Big Re-shuffle in the Psychoverse, quite a few things changed. We are now running NFGS ourselves and are trying to keep track of all the logistics and business stuff that Rune and the Stickies used to do for us. We are learning and finding new ways, and trying to get our heads around the minutea of all the stuff that 35 years of uninterrupted creativity has produced. Parts of which have long been semi-neglected by us, but luckily cared for and taken care of by others.
Such as documentation of concerts.
We have recorded a lot of our shows ourselves over the years, but even more have been recorded by foreseeing Psychonauts who knew the value of their actions. We salute you, and hope that this new initiative of ours will be a good sollution for everyone:
In our thinking of how to proceed with somehow getting some sort of overview over all things Motorpsychodelic, the records are one thing. Collecting and curating all the other documentation that exists on live MP is an even bigger task, and there are various options on how to best do this. Some better than others, but it seems to us that the best fit would be a setting that would be unmonetized and free for everyone.
Everyone – recordists, fans, the band – would benefit from having the hundreds of audience audio recordings all stored in one place and preferably organized and sorted in a searchable database with as much info as possible attached, so that Psychonauts know where it is, but that others might find it as well.In a database, the recordists would get their names known (fame!), everyone could hear what they saw – or missed – the first time around (real, live history!), anyone could comment on the shows (interactivity!) and it would be a fun place for all of us to geek out and share our memories (nostalgia! cultural history! a living legacy!).
For a starter, we all know that on the unofficial forum there already is decades worth of concurrent concert reports that would make awesome content if added to the audio of the performances they critique, so there is a documentational potential here that is unique and absolutely huge.Wouldn’t a place like that be awesome?!?
After some internal discussion, the band has given you all the green light to start making The Internet Archive this place.
In November, a mail went out from the MP global headquarters to the Archive, giving permission for a Motorpsycho section to be established in the audio collection. This was confirmed just before the holidays, and is now up. We are cleared, and uploads are go!
The band still has ideas and loose plans for the Roadwork series, so the existing multitrack recordings of shows are still under consideration for future releases, but all audience recordings are good to go up on the Archive ASAP. Unsanctioned soundboards, and commercially available recordings are extempt from this permission. Radio and TV recordings that still are under copyright cannot go up either: the band do not have any rights to these and cannot give permission for these to be uploaded, so there is some stuff that has to be kept out of this loop, at least for the time being.
The practical side is something the band doesn’t have the capacity to take care of, so this will all have to be on you, the fans!
An archive like this, where all these hours of music will be free and findable for everyone is what we all hoped and dreamed the internet would be.Below you will find links to all the info you’ll need to start uploading your tapes. Please do this a thoroughly as you can, so that this will indeed function as a historical record with the best possible meta info available attached.
INFO
Lossless Formats Only: The Live Music Archive accepts lossless uploads exclusively. Please upload your shows in FLAC or Apple Lossless format. The system will automatically create MP3s and a streaming Flash player. No MP3 uploads, please!
Tag Your FLAC Files: To streamline the upload process and minimize errors, it’s best practice to tag your FLAC files before uploading them to the LMA. Most audio compression software includes a tagging feature. At the very least, include a correctly formatted plain text file (.txt) with each upload, describing the band, venue, date, and setlist.
Consider naming your files according to etree naming conventions. Most importantly, no spaces! Also, be sure to use two digits in your track numbers (i.e., 01 instead of 1.)
EtreeWiki - Naming StandardsLINKS
Internet Archive: Digital Library of Free & Borrowable Texts, Movies, Music & Wayback Machine
Internet Archive: Digital Library of Free & Borrowable Texts, Movies, Music & Wayback Machine
UPLOAD MANUAL
https://ia801607.us.archive.org/29/items/lmaupload/lmaupload.html
Al momento ci sono 6 concerti, due ore fa erano 4
https://archive.org/details/MotorpsychoBand
Possiamo sentire tutte le stecche raw, senza ritocchi, gustarle appieno
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Ah pensavo non te ne fregasse una minchia. Io quei giorni pure playlistavo ed un macchina mi é arrivata questa e la componentistica dell’auto vibrava tutta per le chad frequenze basse ultra devastanti
https://youtu.be/r-T6cZwvsV4?si=b2bqgdMDmdZnyyGm
Comunque che dici sarà arrivato il momento di vedere finalmente il documentario di Scorsese 
Ti pare
Rosico moltissimo per non aver mai assistito dal vivo a una Phil Bomb; a leggere i fan, smuovevano le interiora del pubblico
Qua da 5:30 lo fa un po’ di volte, ma a quanto pare le registrazioni non rendono l’idea. Quelle mazzate di accordi bassi vanno immaginate emesse dal wall of sound della foto sopra, e allora sì che ti portano via la faccia
Chissà 
Ma che figa la roba dei Motorpsycho
Vabbè sono pazzi, saran passati 6 mesi da quello prima 
E mi ero perso tra l’altro che c’è la dose annuale:
- 9 maggio 2025 – Live Club, Trezzo sull’Adda (MI)
- 10 maggio 2025 – Vidia Rock Club, Cesena
- 11 maggio 2025 – Orion, Roma
- 13 maggio 2025 – Palmariva Live Club, Portogruaro (VE)
è tipo la quarta volta che li vedo al Live di Trezzo